No Filter Necessary: Instagram Roundup 7/31
Check out some of the best Instagram photos from the fourth day of TCFF 2015 — keep sharing your own by using the #tcff hashtag or by tagging tcfilmfest!
Check out some of the best Instagram photos from the fourth day of TCFF 2015 — keep sharing your own by using the #tcff hashtag or by tagging tcfilmfest!
Are we in the Pirates Of The Caribbean or Michigan? #thewolfpackfilm #tcff
A photo posted by The Wolfpack (@thewolfpackfilm) on
A photo posted by Deb Thompson (@debthmpsn) on
A photo posted by Sara Hirsh Bordo (@sarahirshbordo) on
Having this adventure tonight, no idea what we're seeing until he tells us. #tcff #rogercorman
A photo posted by Sarah Matthews (@blueeyedrobin) on
The perfect Friday night. #wine #cupcakes #TCFF #anniversaryparty
A photo posted by Ali Scott (@_aliscott) on
A photo posted by callaelizabeth (@callaelizabeth) on
A photo posted by Randy Kopf (@randy_kopf) on
A photo posted by Blackbird Arts (@blackbird_arts_tc) on
A photo posted by Sailing Yacht Scout (@sailingyachtscout) on
"It's very Terrence Malick out here"- Narayana @TCFilmfest #thewolfpackfilm #tcff #cloverfields
A photo posted by The Wolfpack (@thewolfpackfilm) on
First movies, then racing. #Vroom #TCFF #TraverseCityFilmFest #TraverseCity500
A photo posted by Koz (@m1ghtycra5h) on
Check out some of the best Instagram photos from the third day of TCFF 2015 — keep sharing your own by using the #tcff hashtag or by tagging tcfilmfest!
Still thinking about volunteering? Or mulling over taking on some additional shifts? Check out these volunteer related updates and perks!
We are in awe of our amazing team of volunteers. We aren’t kidding when we say that this festival absolutely would not be possible without you! Even if you have time for one more shift, please sign up – we need you! If you have a few hours today, here are some Shifts That Need Some Love:
SUNDAY **SWAG SHIFTS ALL DAY**
Sign Up Here!
SWAG Shifts
In case you’re wondering, SWAG is an eclectic collection of objects we’ve collected from our travels, our sponsors, our friends, and the festival store. Each SWAG coupon you receive can be redeemed for one of these unique items at our Volunteer Party on Monday, August 3 at 6 pm.
-We want to thank you, our hard working and dedicated team, for volunteering at our Volunteer Party on Monday, August 3 – 6-9 pm. Share stories about your favorite festival moments and enjoy food and beverages on us. Free with your volunteer credential on the lawn at the Village of Grand Traverse Commons.
Please accept our most sincere thanks for getting the festival off to such an auspicious start. Stay hydrated, protect your skin, have fun, and keep making this an amazing festival!
Thank you!
“From This Day Forward,” a documentary by Petoskey native Sharon Shattuck, is an exploration of her father’s transition after coming out as transgender and her family’s journey toward acceptance. It is above all a love story, a touching and intimate portrayal of a family that stuck together and the Northern Michigan town they live in.
We were able to speak with Sharon about her filmmaking process, and what insight she gained into her father’s own story while making the film.
Catch the film Saturday, August 1 at 9:30 am at the State Theatre, or Sunday, August 2 at 6 pm at the Old Town Playhouse.
When did you know that this was a film you wanted to make? Which of your parents did you first approach about making the film, and did they have any reservations about it?
It’s been a long journey. I knew that I wanted to make this film back when I was in Journalism school. My undergrad was in Botany, I was at the University of Michigan and then I volunteered in Panama with the Smithsonian Institute, and then I did some work at the Field Museum in Chicago assisting a Tropical Botanist. At some point, I wanted to use my communication skills and my art skills more. I started making short projects about transgender people in New York City. And I was profiling different people, and was happy to be working in that area, and talking to people about their experience, and I was inching towards wanting to make this film.
But I assumed my parents wouldn’t let me make this movie. They’re very private; they’re not looking to be activists. They live in a small town in Northern Michigan and don’t want the exposure. So I didn’t even talk to them about it for years, and just worked on other people’s projects. Eventually, I asked my dad if I could make a short piece for The New York Times Op-Docs video. And Dad said “sure,” so I started interviewing Trisha, my dad, who it turned out was really comfortable talking about everything. And that’s when I thought it could be a longer topic, but I had to really run it by my parents and it took a few years of me interviewing my dad and not really making it clear that I wanted to make a feature film. Just sort of running it by them and asking “how do you feel about this and could I interview you?” At first my mom said “no.” For like a year, my mom just didn’t want to talk to me, she’s so shy and I don’t think she wanted to be on camera. I think after awhile, after seeing how comfortable Trisha was with it and how it was a good thing – we were talking about things we hadn’t talked about before, I think my mom came around. And when she finally sat down with me I was so nervous… But it was fine, I told my parents they could always tell me if there’s something you don’t want to talk about. They never did, they never said “stop talking” or “don’t ask that question” or “turn off the camera.” They were really open.
How much of your parents’ story, your father’s specifically, did you know going into this project?
I didn’t know that much. I think when I was younger I wasn’t ready or willing to put myself in Trisha’s shoes. I was struggling so much with getting by in high school and middle school, but I just didn’t have the maturity to understand where Trisha was coming from so I didn’t ask that many questions. I didn’t even realize – the whole painting thing being a diary, that was completely new to me and it makes so much sense now, but the idea that all of these personal events were tied up in the paintings, I had no idea. And I feel like so much of Trisha’s personality is in those paintings, and there was a huge part of her that I didn’t understand.
Do you think growing up in a household where your father’s art was such a crucial part of her expression, that this influenced you to follow your passion in filmmaking?
Yeah! It’s funny, I’ve always been, I’ve always felt like I was more of my mom’s daughter in that I was always pursing science for a long time, and until grad school when I went towards the documentary side, that was the first time where I really was like “oh, I can be an artist too!” And now what I’m trying to do, I do a lot of communication of science, so this film is a little outside of my normal wheelhouse. But I love focusing on personalities and people, and so even if it’s science-based I’m trying to focus on interesting stories.
The film paints a very intimate portrait of your family. To what extent did you decide to focus on your family alone, compared to feeling any obligation to represent the transgender community as a whole?
That’s a good question because a lot of kids of LBGT families, the kids feel this pressure to show that everything is fine. And it is fine, you know, we’re just like any other family in so many ways. A lot of the time we don’t want to talk about anything that’s negative at all because there’s so much debate about whether LGBT people can even have kids that we want to be like “we’re great and everything’s completely perfect!” and it is a little difficult to bring up some issues that aren’t completely perfect. I really struggled with that movie, there were earlier cuts where I didn’t touch on anything that was sad or dark, and in the end I worked really hard with my editor Frederick Shanahan and producer Martha Shane and we came to an agreement that it’s better to include that stuff, it makes you understand what life is like inside a real family, in a more real way than the glossy superficial portrait. But it’s difficult because you don’t want to give anybody any ammunition against LGBT families. I don’t think that anybody who sees the whole movie would ever feel like they could use that as ammunition, but it’s always a concern. Read more
Check out some of the best Instagram photos from the first two days of TCFF 11 — keep sharing your own by using the #tcff hashtag or by tagging tcfilmfest!
Take a look at how all the Traverse City Film Festival pre-show content gets made for all the films, have a look at Movies on a Boat from the Captain’s perspective. Plus, find out how many tons of equipment it takes to set up the Open Space as a movie theatre and our bonus interview of Michigan Filmmaker of the Year Roger Corman.
Grab a drink and talk with TCFF filmmakers like Naneek’s Neal Steeno, and talk about film at Movies on Tap, stay cool at the festival as the mercury rises, enjoy interactive games from MSU & Pure Michigan at The Woz, and hear what two-time Oscar Winner and recipient of the TCFF 2014 Lifetime Achievement Award director Barbara Kopple has to say about her film “Hot Type: 150 Years of The Nation” and the Traverse City Film Festival.
Our second daily takes a ride on the TCFF shuttle with our Information Ambassadors, shares a table with King Georges director Erika Frankel (click for her After the Credits interview) and talks with “Do I Sound Gay” director David Thorpe about the festival’s LGBTQ programming and Friday morning’s free Equality Now! panel.
The first daily of 2015 takes a peak behind the curtain with the dedicated crew of technicians, volunteers & sponsors who help make TCFF so incredible! Stay tuned all week for more including short videos on our Facebook.
It’s that time of year again –less than 24 hours until the Opening Night Movie officially kicks off the 2015 Traverse City Film Festival!
To celebrate, here are 24 facts, activities, and more about the 11th annual TCFF:
Katy Gwizdala is a Michigan native who currently lives in Brooklyn, NY. You can find her arguing with friends, colleagues, and her cat about all things pop culture. Follow on Twitter @katygwizdala.
As you know, a lot of amazing and awe-inspiring things go into making the festival the magical event it is today. Nothing is quite as impressive as the sudden transformation of some of our venues into state-of-the art movie theaters. Check out these amazing timelapses by our assistant operations director Mark Hubert!
http:/https://www.youtube.com/watch?v=FgUrxErm-OM
http:/https://www.youtube.com/watch?v=JIMOQ0LHGuk
They’ve been working all year to bring you the very best films out there, and now, with the festival only days away, the TCFF staff share what they’re personally most excited for you to check out at this year’s fest.
Haemoo I love action/adventure that keeps me on the edge of my seat, so this beautifully made, sometimes funny, and always intense movie about people on a boat who get into a lot of trouble is one of my favorites of the fest. It’s an exhilarating viewing experience — not for the faint of heart. (It’s “hey-moo.”) – Deb Lake, Executive Director |
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Breaking a Monster Even if you’re someone who could care less about heavy metal music (aka someone like me), there’s no way you can watch this fascinating documentary and not be amazed and enthralled by Unlocking the Truth — the unbelievably badass tween metal sensations poised to make an indelible mark on the music industry. Plus, I just really enjoy seeing talented people being awesome and awesome is what you’ll get when Unlocking the Truth hits the stage live from the State Theatre. – Meg Weichman, Creative Director |
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A Brave Heart: The Lizzie Velasquez Story Nothing speaks to my soul more than inspirational personal stories. That’s why I’m so thrilled to have such an amazingly wonderful and powerful woman at this year’s festival! Lizzie Velasquez shared her story with the world and wowed us all with her Tedx talk last year, covering her rare congenital disease, how she’s overcome bullying, and her life today as a motivational speaker (and in my eyes, a role model to all ages). If you haven’t watched it, take 13 minutes of your day and you’ll be convinced you want to see the entire film. – Susan Fisher, Business Director |
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Shorts: WTF To me, watching a shorts program is like a condensed version of the overall festival experience – instead of watching 10 films over the course of a week, you can watch just as many creative and thought-provoking shorts in just 90 minutes. And this program truly has some of the best films of the year in it, including two top award winners from Sundance; the latest from indie animation legend Don Hertzfeld; and of course “Kung Fury,” a totally off-the-wall send up of 80s action movies. Do yourself a favor check ’em out! – Ian Hollander, Film Department Director |
1. You couldn’t get tickets to a particular movie you wanted to see. “Learning to Drive?” So what, I learned to drive when I was 16. “Dark Places?” Well, go see any movie here and you’ll be sitting in one! Finding out that one of your selections is “Standby Only” is one of life’s great chances to see something unexpected, daring, and surprising!
2. You still can’t decide what to see from a list of films featuring everything from some of the greatest classics in the history of cinema to some of the most audacious, captivating, hilarious, and transcendent movies to come along in recent years.
3. You’re desperately trying to figure out how many meals you can skip, responsibilities you can abandon, and how long your dog can go without a walk in order to squeeze in a few more movies.
Fortunately for you, your friendly neighborhood programmer (yes, I’ve seen them all) is here to help! Read on to find out more about some of my favorites — tips and suggestions for finalizing your feast of film this coming July 28 – August 2.